{"id":5143,"date":"2023-12-01T11:20:00","date_gmt":"2023-12-01T10:20:00","guid":{"rendered":"https:\/\/www.dashboard.piranesi.eu\/?p=5143"},"modified":"2024-06-07T22:04:52","modified_gmt":"2024-06-07T20:04:52","slug":"the-year-of-anniversaries-domenig-10-plecnik-150-piranesi-30-2-2-2-2","status":"publish","type":"post","link":"https:\/\/www.dashboard.piranesi.eu\/the-year-of-anniversaries-domenig-10-plecnik-150-piranesi-30-2-2-2-2\/","title":{"rendered":"Two letters from Hans Scharoun from the year 1944"},"content":{"rendered":"\n

In 1944, Hans Scharoun wrote two letters to his Czech student and collaborator Lubom\u00edr \u0160lapeta, which faithfully illustrate the dramatic atmosphere of the final phase of the war and the suffering of the residents of Berlin, which was bombed daily. However, they also contain his memories on Prague, proofreading of \u0160lapeta’s industrial city projects and \u201clast not least\u201d fears, desires and concentration of creative energy in anticipation of a new beginning.<\/strong><\/p>\n\n\n\n

\"\"
Postcard sent by Hans Scharoun from Prague to his wife on 17 August 1926.\nPhoto Courtesy of Vladimir \u0160lapeta’s personal archive<\/figcaption><\/figure>\n\n\n\n

After graduating from the State School of Industry \u2013 College of Building Sciences in Brno, my father Lubom\u00edr \u0160lapeta spent 1928\u20131930 studying architecture alongside his brother \u010cestm\u00edr at the State Academy of Arts and Crafts in the Silesian town of Breslau\/Wroc\u0142aw. Along with the Bauhaus, the school \u2013 headed by the German painter Oskar Moll, a student of Henri Matisse \u2013 was then one of the most prestigious avant-garde teaching facilities in the Weimar Republic.[1]<\/a> Architecture at the school was taught by Hans Scharoun (1893\u20131972) and Adolf Rading (1888\u20131957), who were both members of Berlin\u2019s architecture group Der Ring. During their studies, the \u0160lapeta brothers worked on their teachers\u2019 plans and projects in their shared studios in Breslau and Berlin [2]<\/a> Afterwards, in the depths of the Great Depression and with support from the Masaryk Academy, they spent nearly half a year on a study trip that took them via Paris, Versailles, and Cherbourg all the way to New York. Here, they had the chance to briefly work in Frederick Kiesler\u2019s architecture studio; in addition, Lubom\u00edr worked in the office of the renowned theater architect Norman Bel Geddes, where he worked on a design for the People\u2019s Theatre in Kharkiv, Ukraine, that won an award in a prestigious international competition. While in New York, the brothers also met other representatives of architectural modernism, in particular Joseph Urban, George Howe, William Lescaze, and Richard Neutra, as well as the critics Philip Johnson and Henry-Russell Hitchcock. After returning home in the spring of 1931, they founded their own architecture firm in Ostrava with a branch office in Prague. Over the subsequent thirty years, they became known for designing a number of original family houses, in particular in northern Moravia. Lubom\u00edr later nurtured close ties with his former teacher Hans Scharoun, visiting him in 1931 and 1936 and even spending ten weeks in the summer 1934 working on his projects in Berlin.[3]<\/a> When Lubom\u00edr moved to Olomouc in mid-1936, his action radius moved to central Moravia as well.<\/p>\n\n\n\n

\"\"
Lubom\u00edr \u0160lapeta with Hans Scharoun, first meeting after 27 years in the Romeo residential skyscraper, Stuttgart November 11th, 1963. Photo Courtesy of Vladimir \u0160lapeta’s personal archive<\/figcaption><\/figure>\n\n\n\n

One of Lubom\u00edr\u2019s most capable clients was the entrepreneur Josef Studen\u00edk (1905\u20131967), owner of the First Moravian Saw and Tool Factory in Hul\u00edn. After founding the company in 1934, Studen\u00edk actively expanded his business and established himself on many western European markets. By the start of the war, he employed 1,200 workers. In order to provide them with housing, he planned to build a factory town called \u201cStuden\u00edk\u201d next to his plant that would offer all social and cultural amenities. In the fall of 1940, he commissioned plans from Lubom\u00edr \u0160lapeta in Olomouc.<\/p>\n\n\n\n

\"\"
Lubom\u00edr \u0160lapeta, plans and sketches for the industrial town of Studen\u00edk in Hul\u00edn, 1942\u20131944. Photo Courtesy of Vladimir \u0160lapeta’s personal archive<\/figcaption><\/figure>\n\n\n\n

At the beginning of the war, which sharply curtailed civilian construction projects and architects\u2019 planning and drafting activities, such a task was a great challenge that offered the promise of extensive work over a longer period of time.<\/p>\n\n\n\n

\"\"
Visionary sketches by Hans Scharoun, 1940\u20131945, Scharoun Archive AdK Berlin.\nPhoto Courtesy of Vladimir \u0160lapeta’s personal archive<\/figcaption><\/figure>\n\n\n\n
\n\n\n\n

[1]<\/a> Poelzig Endell<\/em> Moll und die Breslauer Akademie<\/em> (Berlin: Akademie der K\u00fcnste, 1965); Petra H\u00f6lscher, Die Akademie f\u00fcr Kunst und Kunstgewerbe zu Breslau. Wege einer Kunstschule 1791\u20131932<\/em> (Kiel: Ludwig Verlag, 2003)<\/p>\n\n\n\n

[2]<\/a> Pavel Zatloukal, Lubom\u00edr \u0160lapeta 1908\u20131983, \u010cestm\u00edr \u0160lapeta 1908\u20131999<\/em> (Brno: Obecn\u00ed d\u016fm, 2003); Jerzy Ilkosz, Lubom\u00edr \u0160lapeta 1908\u20131983, \u010cestm\u00edr \u0160lapeta 1908\u20131999: Hans Scharoun\u2019s Czech Students<\/em> (Wroc\u0142aw: Muzeum Architektury, 2004).<\/p>\n\n\n\n

[3]<\/a> At the time, Lubom\u00edr \u0160lapeta worked on the plans for Felix Baensch\u2019s villa in Berlin-Spandau\u2019s Weinmeisterh\u00f6he neighborhood and on a group of recreational rental homes and a hotel in Vitznau, Switzerland.<\/p>\n","protected":false},"excerpt":{"rendered":"

In 1944, Hans Scharoun wrote two letters to his Czech student and collaborator Lubom\u00edr \u0160lapeta, which faithfully illustrate the dramatic atmosphere of the final phase of the war and the suffering of the residents of Berlin, which was bombed daily. However, they also contain his memories on Prague, proofreading of \u0160lapeta’s industrial city projects and […]<\/p>\n","protected":false},"author":14,"featured_media":5133,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"location":[],"countries":[1059],"class_list":["post-5143","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","countries-czech-republic"],"acf":{"articles":5053,"avtor":5062,"featureArticle":false,"articleTitle":"Two letters from Hans Scharoun from the year 1944","architects":"","studio":""},"yoast_head":"\nTwo letters from Hans Scharoun from the year 1944 - Piranesi<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Two letters from Hans Scharoun from the year 1944 - Piranesi\" \/>\n<meta property=\"og:description\" content=\"In 1944, Hans Scharoun wrote two letters to his Czech student and collaborator Lubom\u00edr \u0160lapeta, which faithfully illustrate the dramatic atmosphere of the final phase of the war and the suffering of the residents of Berlin, which was bombed daily. 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